Print

As a graphic designer, I cherish the print medium in all its forms, from Xerox to silkscreen, postcards, zines, books, and risograph prints. I meticulously choose the best materials to enhance each piece's tactile and visual appeal. By blending traditional techniques with modern graphic design, I create print works that honor the past while resonating with today's visually-driven world.

 

Nordstrom’s Comme des Garçons x Marc Hundley: collaboration reimagined through print | Zine, 2019


 

Lihi Toledano “Gan Yavne” single promotional postcard |2023

 

“Talking Heads” exhibition: Parsons School of Design partnered with Pratt Institute and the two conducted an exhibition examining this subject. Participants sent still images and brief videos back and forth in a game of pictorial ping-pong. They were asked not to write messages or captions and to refrain from sharing their images on social media. | Exhibition poster, Silkscreen, 2017

 

Avia Farchi’s Farwell | Postcard, 2023


Souvenir de Marius: A few years ago, my aunt showed me photos of my grandfather, Marius Meir Arama, taken when he was about my age. He passed away before I turned three, and since I grew up in New York and he in Israel, we met only twice. Intrigued by the photos, I explored his life story and the idea of remembering someone I never knew. Our family often mentioned our similarities, and he had chosen my first name and my Hebrew name, Meir, after his own. This inspired me to create "Souvenirs," a travel journal detailing his life. Marius's story reflects the experiences of Jewish immigrants in the early 20th century, as he left Salonika for Palestina, facing the challenges of building a new life in what would become Israel | Risograph, Silkscreen, Embroidery, Bookbinding, 2018

 
 

 

Raphella’s 70th Birthday | Silkscreen tote, 2023

Raphella’s 70th Birthday | Postcards, 2023


Happy Holidays postcard with 80’s playlist | Risograph, 2023


“The Starter Kit”: How has the increase in accessibility and digital arenas affected publishing today? What you publish has the ability to be a living and breathing thing, continually in-flux (for better or worse). Is what you publish meant for one person, a selected group, or everyone? Does it expire after 5 minutes or persist until the end of time? This is the importance of alternative publishing tactics while also questioning their role today. “The Starter Kit” | Mixed media, 2017

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